1st August 2010 12:00 PM
Level 1, 105 Queen Street, Melbourne 3000, Victoria Australia.
Level 1, 105 Queen Street, Melbourne 3000, Victoria Australia.
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Elaine Alys Haxton.
1909-1999.
Britain, Australia.
Umbrella Street, Japan, 1969.
Signed and dated ‘Elaine Haxton, ‘69’ lower right.
Pastel on paper.
36 x 44 cm.
Lot Number: 228 |
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Sir Arthur Ernest Streeton.
1867-1943.
Australia.
The Hay Barges, c.1910.
Initialled ‘A.S’ lower right. Titled verso ‘Hay Barges, Arthur Streeton, 75 Guineas.’
Oil on board.
17.5 x 23 cm.
NB: Painted whilst in London.
Lot Number: 213 |
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Sir Arthur Ernest Streeton.
1867-1943.
Australia.
Hillside Olinda, 1927.
Signed ‘A. Streeton’ lower right. Dated label verso ‘1927.’
Oil on canvas.
34 x 44 cm.
NB: Original period frame.
Lot Number: 39 |
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Elioth Gruner.
1882-1939.
Australia.
Farmyard.
Signed in pencil ‘Gruner’ lower right.
Oil on board.
33 x 42 cm.
NB: Original S. A. Parker frame, George Street, Sydney.
Lot Number: 209 |
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Creagh Manning.
1950-.
Australia.
Butcher’s Shop Studio.
Signed ‘Creagh Manning’ lower left.
Oil on linen board.
60 x 50 cm.
Lot Number: 8 |
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Robert Henry Dickerson.
1924-.
Australia.
Girl From Arles, c.1974.
Signed ‘Dickerson’ lower right.
Mixed media.
28 x 22 cm.
NB: Painted whilst in France.
Lot Number: 27 |
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Gordon B. Coutts.
Circa 1875-1937.
Australia.
Cattle Grazing Tasmania, 1899.
Signed and dated ‘Gordon Coutts, ‘99’ lower right.
Watercolour.
27 x 33 cm.
Lot Number: 101 |
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Raoul Dufy.
1877-1953.
Australia.
Nature – morte a la table Rouge.
Signed lower right.
Colour lithograph 12/20/
26 x 35 cm.
NB: Label verso Joshua N. McClelland.
Lot Number: 194 |
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A George III Sheraton mahogany breakfront sideboard, with reeded edge and boxwood stringing. The central drawer flanked by two larger drawers, on square tapering supports, terminating in splayed feet.
Width 61 cm. Length 123 cm. Height 88 cm.
Lot Number: 59 |
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A Regency mahogany wine table, of rectangular form with canted corners, on turned column with three down-swept supports.
Width 50 cm. Length 67.5 cm. Height 67.5 cm.
Lot Number: 119 |
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A set of six Regency mahogany dining chairs, each with fluted splats on turned tapering supports.
Lot Number: 178 |
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Charles Blackman
1928-.
Australia.
Fifty Flowers, 2006.
Signed, titled & numbered ‘Blackman, Fifty Flowers’ lower margin.
Screen-print 21/80.
60 x 75 cm.
Lot Number: 243 |
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David Boyd.
1924-.
Australia, Britain, France.
Musician Playing Lute, 2000.
Signed, titled and numbered ‘David Boyd, Musician Playing Lute’ lower margin.
Colour etching 39/60.
49 x 49 cm.
Lot Number: 242 |
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A Victorian walnut writing slope, the hinged section enclosing ink wells and compartments.
Width 23 cm. Length 30 cm. Height 13.5 cm.
Lot Number: 180 |
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An early Victorian mahogany bookcase, with moulded cornice, below a pair of glazed arched doors. The middle section with concealed slide, and secretaire drawer enclosing a tooled leather writing surface and various pigeon holes. The lower section with a pair of arched panelled doors enclosing a cellaret drawer, supported on plinth.
Width 63 cm. Length 129 cm. Height 255 cm.
Lot Number: 159 |
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A George III mahogany chest, with moulded edge, having two short and three graduated drawers, supported on bracket feet.
Width 56 cm. Length 106 cm. Height 101 cm.
Lot Number: 68 |
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An early Victorian oval Toleware tray, with gilt border.
Length 66 cm.
Lot Number: 128 |
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Noel Jack Counihan.
1913-1986.
Australia.
Elvira, 1972.
Signed and dated ‘Counihan, ‘72’ lower right.
Charcoal and contê.
74.5 x 50.5 cm.
Provenance: The Counihan Estate. Label verso pertains to an Australian Galleries cat. No. ‘AG5648.’
Lot Number: 265 |
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Noel Jack Counihan.
1913-1986.
Australia.
Jillian, 1978.
Signed, titled and numbered ‘Counihan, Jillian’ lower margin.
Linocut 10/25.
75 x 41.5 cm.
Provenance: The Counihan Estate.
Reference: Robert Smith, Noel Counihan Prints 1931-1981, A Catalogue Raisonné, Hale & Iremonger, Sydney, 1981, p. 134 (Illustrated).
Lot Number: 207 |
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Noel Jack Counihan.
1913-1986.
Australia.
Man & Woman I, 1979.
Signed and dated ‘Counihan ‘79’ lower right.
Acrylic on board.
68 x 52 cm.
Provenance: The Counihan Estate.
Lot Number: 258 |
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A Regency mahogany partners desk, with inset tooled leather top, frieze drawers to the front and reverse, supported on end pedestals, each with drawers to the front and cupboards to the reverse, each terminating in a plinth.
Width 87 cm. Length 123 cm. Height 75.5 cm.
Lot Number: 165 |
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Noel Jack Counihan.
1913-1986.
Australia.
The Artist’s Mother.
Signed ‘Counihan’ lower centre.
Lithograph 38/100.
50 x 39 cm.
Provenance: The Counihan Estate.
Lot Number: 288 |
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Noel Jack Counihan.
1913-1986.
Australia.
Man & Woman II, 1979.
Signed and dated ‘Counihan ‘79’ lower left.
Acrylic on board.
68 x 52 cm.
Provenance: The Counihan Estate.
Lot Number: 257 |
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John William Tristram.
1872-1938.
Australia.
Twilight, 1919.
Signed and dated ‘J. W. Tristram, 1919’ lower left.
Watercolour.
21 x 26 cm.
Lot Number: 103 |
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Charles Edward Conder.
1868-1909.
Australia, Britain.
The Leaning Tree.
Signed ‘Conder’ lower right.
Lithograph.
26 x 24 cm.
NB: Publ. 1899.
Provenance: Label verso Collection of Rosalind Hollinrake.
Lot Number: 214 |
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Duncan Max Meldrum.
1875-1955.
Scotland, Australia.
Gometz Le Chatel, 1927.
Signed, titled and dated ‘Max Meldrum, Gometz le Chatel, 1927’ verso.
Oil on canvas on board.
37 x 34 cm.
Lot Number: 211 |
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Sybil Andrews.
1898-1992.
Britain.
Pieta.
Signed, titled and numbered ‘Pieta, Sybil Andrews’ upper right.
Colour linocut 11/60.
27 x 17.5 cm.
NB: Publ. 1932.
Reference: Stephen Coppel, Linocuts Of the Machine Age, Scholar Press, London, 1995, p. 112, Illust. 22.
Provenance: Cyril Power.
Lot Number: 190 |
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James Montgomery Cant.
1911-1983.
Australia.
Street Scene, London, 1955.
Signed and dated ‘Cant, 1955’ lower right.
Oil on board.
74.5 x 61.5 cm.
Lot Number: 254 |
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Sybil Andrews.
1898-1992.
Britain.
Via Dolorosa.
Signed, titled and numbered ‘Via Dolorosa, Sybil Andrews’ upper right.
Colour linocut 21/60.
20.5 x 25 cm.
NB: Publ. 1935.
Exhibited: Redfern, London & Melbourne 1937.
Reference: Stephen Coppel, Linocuts Of the Machine Age, Scholar Press, London, 1995, p. 116, Illust. 35.
Provenance: Cyril Power.
Lot Number: 198 |
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Lloyd Frederic Rees.
1895-1988.
Australia.
Landscape, N.S.W., 1929.
Signed and dated ‘L. Rees 1929’ lower right.
Pencil.
10.5 x 18.5 cm.
Lot Number: 189 |
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David G. Rankin.
1946-.
Britain, Australia.
Lilly With Red Muff, 1984.
Signed and dated ‘Rankin, ‘84’ lower left.
Oil on board.
91 x 61 cm.
NB: Portrait of Lilly Brett.
Lot Number: 237 |
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Maurice Namatjira.
1938-1977.
Australia (Aboriginal).
Rocky Outcrop, Central Australia.
Signed ‘Maurice Namatjira’ lower right.
Watercolour.
48 x 35 cm.
Lot Number: 134 |
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Robert Russell.
1808-1900.
Britain, Australia.
Early Colonial Victorian Landscape, 1883.
Initialled and dated ‘R.R, 1883’ lower right.
Gouache and pen.
11.5 x 13 cm.
Provenance: Bequested by the artist to a family member, and hitherto passed down (Label verso).
Lot Number: 107 |
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John Coburn.
1925-2006.
Australia.
Study for Wide Brown Land.
Signed and titled ‘Coburn, Study For Wide Brown Land’ lower margin.
Gouache.
28.5 x 47.5 cm.
NB: Re-titled by artist for major painting – Argyle Landscape.
Lot Number: 263 |
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Patrick Caulfield.
1936-2005.
Britain.
Pipe & Bowls.
Signed and numbered ‘Patrick Caulfield’ lower right margin.
Colour screen-print 28/76.
44 x 44 cm.
Lot Number: 196 |
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James Waltham Curtis.
Circa 1839-1901.
Australia.
Stumps Of White Gums, 1890.
Signed, dated and titled ‘J. W. Curtis, ’90, Stumps of White Gums’ lower left.
Watercolour.
50 x 32 cm.
Lot Number: 109 |
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James Alfred Turner.
1850-1908.
Australia.
The Old Farmhouse, c.1900.
Signed ‘J. A. Turner’ lower left.
Watercolour.
18 x 26 cm.
Lot Number: 108 |
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Thomas Balfour Garrett.
1879-1952.
Australia.
Tasmanian Landscape.
Signed ‘Tom Garrett’ lower right.
Watercolour.
26 x 35 cm.
Lot Number: 105 |
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Thomas Balfour Garrett.
Australia.
1879-1952.
Blossom.
Signed ‘Tom Garrett’ lower right.
Watercolour.
23 x 29 cm.
Lot Number: 82 |
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Noel Jack Counihan.
1913-1986.
Australia.
Furnace-man.
Signed ‘Counihan’ lower centre.
Lithograph, Ed. 20.
52 x 40 cm.
Provenance: The Counihan Estate.
Reference: Robert Smith, Noel Counihan Prints 1931-1981, A Catalogue Raisonné, Hale & Iremonger, Sydney, 1981, p. 50, Plate 17.
Lot Number: 289 |
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Sir George Russell Drysdale.
Australia.
1912-1981.
Mother & Child.
Signed lower right with atelier stamp and on reverse.
Etching 27/50.
14 x 14 cm.
NB: Label verso authenticated and signed by Maisie Drysdale.
Lot Number: 139 |
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Norma C. Bull.
Australia.
1906-1980.
Seascape, Lorne.
Signed in pencil ‘Norma Bull’ lower centre.
Oil on board.
30 x 40 cm.
Lot Number: 307 |
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Norma C. Bull.
1906-1980.
Australia.
Seascape.
Signed in pencil ‘Norma Bull’ lower centre.
Oil on board.
28 x 40 cm.
Lot Number: 326 |
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David Boyd.
1924-.
Australia, Britain, France.
Europa & Little Girl Pointing, 1970.
Signed & dated ‘David Boyd 1970’ lower right.
Oil on canvas.
78 x 97 cm.
Reference: Nadine Amadio, David Boyd The Passionate Journey, Maystreet Galleries, Sydney, 2004, pp. 62-63.
Lot Number: 256 |
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Eric Prentice Anchor Thake.
1904-1982.
Australia.
When In Kalgoorlie…Dial A Prayer! 1970.
Signed, dated and titled ‘Eric Thake, When In Kalgoorlie…Dial A Prayer!’ lower margin.
Linocut.
25 x 14.5 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 246 |
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Eric Prentice Anchor Thake.
1904-1982.
Australia.
Ecstasy, 1956.
Signed, dated and titled ‘Eric Thake, Ecstasy’ lower margin.
Linocut.
21 x 13.5 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 245 |
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Eric Prentice Anchor Thake.
1904-1982.
Australia.
Strange Spectacles, 1944.
Signed, dated and titled ‘Eric Thake, Strange Spectacles’ lower right.
Linocut.
13 x 16 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 17 |
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Eric Prentice Anchor Thake.
1904-1982.
Australia.
‘Desiderata’ or That Hollow Log At Alice Springs, 1948.
Signed, dated and titled ‘Eric Take, ‘Desiderata’ or That Hollow Log At Alice Springs’ lower margin.
Linocut.
14 x 18 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 241 |
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Eric Prentice Anchor Thake.
1904-1982.
Australia.
When In Kalgoorlie…Dial A Prayer! 1970.
Signed, dated and titled ‘Eric Thake, When In Kalgoorlie…Dial A Prayer!’ lower margin.
Linocut.
25 x 14.5 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 248 |
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Phyllis Margaret Cilento.
1923-2006.
Australia.
The Banjo Lesson, 1995.
Signed & dated ‘M. Cilento ‘95’ lower left.
Oil on board.
25 x 20 cm.
Lot Number: 117 |
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Jacqueline Fowler.
Australia.
Fuji Cherry Blossom & Screen, 2006.
Signed ‘Jacqueline Fowler’ lower left.
Oil on canvas.
76 x 97 cm.
Lot Number: 46 |
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Kay Cornell.
Australia.
Three Grannies, c. 2005.
Signed ‘K. Cornell’ lower left.
Oil on board.
21 x 33.5 cm.
Lot Number: 260 |
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Eric Prentice Anchor Thake.
1904-1982.
Australia.
The Itchy Owl, 1970.
Signed, dated and titled ‘Eric Thake, The Itchy Owl’ lower margin.
Linocut.
14 x 19 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 247 |
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Arthur Merric Bloomfield Boyd.
1920-1999.
Australia.
The Hunter.
Signed, titled and numbered ‘Arthur Boyd, The Hunter’ lower margin.
Colour etching 5/25.
68 x 90 cm.
Lot Number: 233 |
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Pablo Picasso.
1881-1973.
Spain, France.
Two Heads, 1947-1960.
Lithograph.
48 x 51.5 cm.
Lot Number: 64 |
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Katsuya.
Japan, Australia.
Kitchen Garden, Heidi, 2006.
Signed ‘Katsuya’ lower right.
Oil on linen.
36 x 61 cm.
Lot Number: 61 |
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Peter Booth.
1940-.
Britain, Australia.
Untitled, c. 1970.
Signed ‘Peter Booth’ lower left.
Pastel and casein.
100 x 71 cm.
Lot Number: 276 |
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David Scott Larwill.
1956-.
Australia.
Waving Boy (Winter), 1999.
Signed, dated, titled and numbered ‘David Larwill, Waving Boy (Winter)’ lower margin.
Coloured screen-print 46/72.
76 x 56 cm.
Lot Number: 227 |
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Richard Chamerski.
1951-.
Britain, Australia.
Children’s Games & Evening Skies, 1997.
Signed ‘R. Chamerski’ lower left. Titled and dated ‘Children’s Games and Evening Skies, ‘97’ label verso.
Oil on board.
43.5 x 54 cm.
Lot Number: 116 |
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Richard Hollis.
Australia.
Grenoble, Avenue Alsace Lorraine, 1988.
Signed, dated and titled ‘Hollis ’88, Grenoble Avenue Alsace Lorraine’ lower left and right.
Oil on board.
44 x 58 cm.
Lot Number: 316 |
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Lin Onus.
1948-1996.
Australia (Aboriginal).
Purple Mist, 1975.
Signed ‘Lin Onus’ lower right. Titled and dated ‘Purple Mist, 1975’ verso.
Oil on canvas on board.
70 x 54 cm.
Lot Number: 238 |
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Peter Kilby.
Working 1980’s.
Australia.
Self Portrait, Tribute to Edvard Munch, 1987.
Signed, dated and titled ‘Kilby, Aug ’87, Self Portrait (Tribute To Edvard Munch)’ lower margin.
Colour monotype.
61 x 37 cm.
Lot Number: 167 |
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John Leo Borrack.
1933-.
Australia.
Murray Twilight, 1986.
Signed and dated ‘John Borrack, ‘86’ lower right. Titled ‘Murray Twilight’ verso.
Watercolour.
70 x 104 cm.
Lot Number: 67 |
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Kay Cornell.
Australia.
Drifting.
Signed ‘K. Cornell’ lower left.
Oil on board.
30 x 20 cm.
Lot Number: 259 |
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Eric Prentice Anchor Thake.
1904-1982.
Australia.
The Adoration Of The Magi, 1949.
Signed, dated and titled ‘Eric Take, The Adoration Of The Magi’ lower margin.
Linocut.
18 x 14.5 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 18 |
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Janet Hayes.
Working 1980s-.
Australia.
Stretching, 2009.
Signed and dated ‘Janet Hayes, ‘09’ lower left.
Pastel.
50 x 70 cm.
Lot Number: 184 |
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Paul Frances Louis Cavell.
1946-.
Australia.
Still Life, 1986.
Signed and dated ‘Cavell 25.11.86’ lower right.
Oil on canvas.
72 x 92 cm.
Lot Number: 9 |
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Victor George O’Connor.
1918-.
Australia.
Melors-Paris, 1980.
Signed, dated, titled and numbered ‘V. G. O’Connor, Melors-Paris’ lower margin.
Linocut 14/50.
17.5 x 12 cm.
Lot Number: 308 |
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Anthony B. Irving.
1939-.
Britain, Australia.
Wet Afternoon, Luna Park, 1986.
Signed, dated, titled and numbered ‘Tony Irving, Wet Afternoon’ lower margin.
Colour etching 9/30.
24 x 19 cm.
Lot Number: 304 |
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Lloyd Frederic Rees.
1895-1988.
Australia.
Aden, 1976.
Signed, dated and numbered ‘Lloyd Rees’ lower margin.
Etching 84/85.
10 x 13 cm.
Lot Number: 286 |
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Franz Moishe Kempf.
1926-.
Australia.
Out Of The Darkness, 1965.
Signed, dated and numbered ‘Franz Kempf ’ lower margin.
Etching 1/10.
15 x 29 cm.
Lot Number: 302 |
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Albert Henry Fullwood.
1863-1930.
Britain, Australia.
Macquarie Place, Sydney, 1926.
Initialled and dated ‘A. F. ‘26’ lower right.
Etching.
25 x 22 cm.
Lot Number: 79 |
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Rennie Ellis.
Australia.
Portrait of Fred Williams - 1981/2007.
Certificate of Authenticity verso.
C-type photograph.
44 x 33 cm.
Lot Number: 271 |
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Charles Blackman.
1928-.
Australia.
Titania As Bride.
Signed, titled and numbered ‘Charles Blackman, Titania As Bride’ lower margin.
Lithograph 7/150.
30 x 44 cm.
Lot Number: 56 |
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Milan Todd.
1922-.
Australia.
Crimson Topaz Hummingbirds.
Signed ‘Milan’ lower right. Titled ‘Crimson Topaz Hummingbirds’ verso.
Acrylic on canvas.
61 x 51 cm.
Lot Number: 114 |
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Creagh Manning.
1950-.
Australia.
Via Ranco – Besozzo Superiore, 1988.
Signed, dated, titled and numbered ‘Creagh Manning, Via Ranco – Besozzo Superiore’ lower margin.
Aquatint and etching 6/10.
33 x 29.5 cm.
Lot Number: 310 |
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Nikos Kypraios.
1944-.
Australia.
At The Seashore.
Signed ‘Nikos’ lower right. Titled ‘At The Seashore’ verso.
Oil on canvas.
110 x 70 cm.
Lot Number: 175 |
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Charles Blackman.
1928-.
Australia.
Titania And Bottom.
Signed, titled and numbered ‘Charles Blackman, Titania and Bottom’ lower margin.
Lithograph 88/150.
45 x 40 cm.
Lot Number: 266 |
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Dean Bowen.
1957-.
Australia.
Mountain Bird, 2000.
Signed, dated, titled and numbered ‘Dean Bowen, Mountain Bird’ lower margin.
Colour etching 16/25.
70 x 92 cm.
Lot Number: 235 |
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A George III mahogany bedside commode, the top surmounted by a shaped gallery, below two figured doors with boxwood stringing, on square supports.
Width 49 cm. Length 46 cm. Height 76 cm.
Lot Number: 182 |
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A late lowered Regency mahogany wine table supported on vase shaped column, terminating in three out-swept splayed feet.
Height 81 cm.
Lot Number: 129 |
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A George III faded mahogany library reading table with double reading slope and fully adjustable top, supported on a concave column, terminating in a lotus carved base and brass wheels with ceramic trim.
Width 51 cm. Length 82 cm. Height 72 cm
Lot Number: 279 |
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Richard Chamerski.
1951-.
Britain, Australia.
As Children Play, 2000.
Signed ‘R. Chamerski’ lower right. Titled and dated ‘As Children Play, ‘00’ label verso.
Oil on board.
31 x 61 cm.
Lot Number: 115 |
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An elegantly carved 19th century Australian colonial blackwood drawing room easel, surmounted by a cabochon, within a raised carved griffin sergeant as a primary charge, with out swept supports, terminating in scrolled feet.
Height 192.5 cm.
NB: Possibly from the Prenzel workshop.
Lot Number: 47 |
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An early 20th century Sheraton revival mahogany miniature sofa table, with hinged ends, on turned tapering supports.
Width 47.5 cm. Length 101 cm. Height 71 cm
Lot Number: 161 |
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Louis V. Kahan.
1905-2002.
Australia.
The Wedding Feast At Cana, 1975.
Signed, dated, titled and numbered ‘Louis Kahan, The Wedding Feast At Cana’ lower margin.
Etching 28/50.
48 x 72 cm.
Lot Number: 277 |
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Peter Zaastra.
Australia.
Trout Cruising The Lily Pads, 2009.
Signed ‘Zaastra’ upper right. Titled and dated ‘Trout Cruising The Lily Pads, 2009’ verso.
Oil on panel.
61 x 91 cm.
Lot Number: 293 |
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An Edwardian Sheraton revival satinwood dressing mirror, with shield swing mirror, scrolled supports, below three small drawers.
Width 20.5 cm. Length 47 cm. Height 83.5 cm
Lot Number: 278 |
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Noel Jack Counihan.
1913-1986.
Australia.
Head of a Miner, 1944.
Signed & dated ‘Counihan ‘44’ lower left.
Pencil on paper.
27 x 22 cm.
Lot Number: 141 |
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Dame Laura Knight DBE.
1877-1970.
United Kingdom.
Wardrobe.
Titled & signed in pencil ‘Wardrobe, Laura Knight’ lower right.
Pencil.
35.4 x 25.4 cm.
Lot Number: 197 |
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Dame Laura Knight DBE.
1877-1970.
United Kingdom.
Some Clowns, 1930.
Signed in pencil lower right.
Drypoint, Edition of 50.
35.5 x 25 cm.
Lot Number: 192 |
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Kenneth William David Jack.
1924-2006.
Australia.
Young & Jackson’s (Built 1875), 1961.
Signed, titled, dated and numbered ‘Young & Jackson’s, Old Melbourne Buildings No. 3, Kenneth Jack’ lower margin.
Linocut, 6 blocks, 49/60.
31 x 46 cm.
Reference: Kenneth Jack Printmaker, The Beagle Press, Sydney, 1998, Pl. 37 (Illustrated).
NB: Old Melbourne Buildings Series No. 3.
Lot Number: 205 |
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Kenneth William David Jack.
1924-2006.
Australia.
Inland Town, 1952.
Signed, titled, dated and numbered ‘Inland Town, Kenneth Jack’ lower margin.
Linocut 26/47.
36 x 55 cm.
Reference: Kenneth Jack Printmaker, The Beagle Press, Sydney, 1998, p. 38, Pl. 14.
Lot Number: 206 |
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Noel Jack Counihan.
1913-1986.
Australia.
Demonstrator, 1978.
Signed, titled, dated and numbered ‘Demonstrator, Counihan’ lower margin.
Linocut 2/10.
46.5 x 16.2 cm.
Reference: Robert Smith, Noel Counihan Prints 1931-1981, A Catalogue Raisonné, Hale & Iremonger, Sydney, 1981, p. 124, Cat. 103 (Illustrated).
NB: Unique proof – hand printed by the artist on Japanese Mulberry paper.
Lot Number: 20 |
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Noel Jack Counihan.
1913-1986.
Australia.
Parson, 1931.
Titled & signed in pencil ‘Parson, Noel Counihan’ lower margin.
Linocut.
23.7 x 16.6 cm.
Reference: Robert Smith, Noel Counihan Prints 1931-1981, A Catalogue Raisonné, Hale & Iremonger, Sydney, 1981, p. 38, Cat. 2 (Illustrated).
Lot Number: 142 |
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Eric Prentice Anchor Thake.
1904-1982.
Australia.
Hot Day at Heidelberg, Cole’s Funny Picture Book Animals, 1965.
Unsigned.
Silver gelatin photograph.
39 x 48.5 cm.
Reference: An Individual View: Photographs by Eric Thake, no. 17 (Illustrated).Printer: George Mehes.
Lot Number: 272 |
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Kenneth William David Jack.
1924-2006.
Australia.
Royal Terrace, Fitzroy, 1962.
Signed, titled, dated and numbered ‘Royal Terrace, Fitzroy (Built 1854), Old Melbourne Buildings No. 4, Kenneth Jack’ lower margin.
Linocut 23/60.
31 x 46 cm.
Reference: Kenneth Jack Printmaker, The Beagle Press, Sydney, 1998, p. 115.
Lot Number: 208 |
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Norman Alfred Williams Lindsay.
1879-1969.
Australia.
A Ridiculous Question.
Signed ‘Norman Lindsay’ upper left.
Ink on paper
29.5 x 21 cm.
Lot Number: 130 |
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Norman Alfred Williams Lindsay.
1879-1969.
Australia.
Testing Her Vision.
Signed ‘Norman Lindsay’ upper left.
Ink on paper.
28 x 20.5 cm.
Lot Number: 132 |
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Norman Alfred Williams Lindsay.
1879-1969.
Australia.
The Day of Battle.
Signed ‘Norman Lindsay’ upper left.
Ink on paper.
29 x 24 cm.
Lot Number: 133 |
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Norman Alfred Williams Lindsay.
1879-1969.
Australia.
The Innocents, 1925.
Signed, titled, dated and numbered ‘The Innocents, Norman Lindsay’ lower margin.
Etching, engraving & stipple 4/55.
35.2 x 30.2 cm.
Reference: Lin Bloomfield, The Complete Etchings Of Norman Lindsay, Odana Press, Sydney, 1998, p. 283, Pl. 271 (Illustrated).
Lot Number: 63 |
 |
Noel Jack Counihan.
1913-1986.
Australia.
Laughing Christ, 1970.
Signed, dated and numbered ‘A/P, Counihan’ lower margin.
Linocut Artist Proof.
58.8 x 28.1 cm.
Provenance: The Counihan Estate.
Reference: Robert Smith, Noel Counihan Prints 1931-1981, A Catalogue Raisonné, Hale & Iremonger, Sydney, 1981, p. 108, Cat. 85 (Illustrated).
Lot Number: 65 |
 |
Arthur Merric Bloomfield Boyd.
1920-1999.
Australia, Britain.
The Women Triumphant “I could dance away numberless suns.”
Lysistrata Series, 1970.
Numbered & signed ‘Arthur Boyd’ lower margin.
Etching & aquatint 3/12.
56 x 60 cm.
NB: Folio of Lysistrata etchings and aquatints published by the Ganymed Press, London.
Lot Number: 111 |
 |
Charles Blackman.
1928-.
Australia.
Aladdin’s Genie, c. 1970.
Signed, titled and numbered ‘Aladdin’s Genie, Charles Blackman’ lower margin.
Drypoint 9/20.
50.5 x 40 cm.
Lot Number: 10 |
 |
Noel Jack Counihan.
1913-1986.
Australia.
An American Artist, 1962.
Signed, titled, dated and numbered ‘An American Artist, Counihan’ lower margin.
Linocut, 3 blocks 7/25.
43.3 x 54.8 cm.
Reference: Robert Smith, Noel Counihan Prints 1931-1981, A Catalogue Raisonné, Hale & Iremonger, Sydney, 1981, p. 93, Cat. 63 (Illustrated).
Lot Number: 275 |
 |
Arthur Merric Bloomfield Boyd.
1920-1999.
Australia, Britain.
Lysistrata Series, 1970.
Numbered & signed ‘Arthur Boyd’ lower margin.
Etching & aquatint 3/12.
56 x 60 cm.
NB: Folio of Lysistrata etchings and aquatints published by the Ganymed Press, London.
Lot Number: 113 |
 |
Charles Blackman.
1928-.
Australia.
Spellbound, c. 1978.
Signed, titled and numbered ‘A/P, Spellbound, Charles Blackman’ lower margin.
Etching Artist Proof.
29.5 x 30 cm.
Lot Number: 231 |
 |
Arthur Merric Bloomfield Boyd.
1920-1999.
Australia, Britain.
Lysistrata Series, 1970.
Numbered & signed ‘Arthur Boyd’ lower margin.
Etching & aquatint 3/12.
56 x 60 cm.
NB: Folio of Lysistrata etchings and aquatints published by the Ganymed Press, London.
Lot Number: 112 |
 |
Janet Dawson.
1935-.
Australia.
Montant (Rising), 1960.
Signed, titled, dated and numbered ‘Montant, J. Dawson’ lower left.
Colour lithograph 34/40.
80 x 41.5 cm.
Lot Number: 232 |
 |
Bernhard Rust.
1929-.
Australia.
Young Couple, 1966.
Signed & dated ‘Bernhard Rust, ‘66’ lower right.
Oil on board.
58.5 x 43 cm.
Lot Number: 7 |
 |
Sybil Craig.
1901-1989.
Australia.
The Party.
Signed ‘Sybil Craig’ lower right.
Gouache & pencil.
33 x 42 cm.
NB: Sketch verso identifying notable artists present at ‘The Party.’
Lot Number: 229 |
 |
Sidney Robert Nolan.
1917-1992.
Australia.
Images After Dark, Ghost Of A Miner, c. 1980.
Signed and numbered ‘Nolan’ lower margin.
Coloured screen-print 50/70.
76 x 76 cm.
Lot Number: 223 |
 |
Anonymous.
We Want Your Minerals For Our Profits, c. 1970.
Linen-backed colour process lithograph.
44.5 x 31.9 cm.
NB: Communist Party Of Australia protest poster.
Lot Number: 284 |
 |
Rick Amor.
These Men Are Scabs, Don’t Forget Their Faces, c. 1980.
Unsigned.
Linen-backed process lithograph.
78 x 53.8 cm.
NB: Authenticated by the artist Rick Amor.
Lot Number: 287 |
 |
Anonymous.
Vietnam Moratorium. Withdraw All Troops Now, 1970.
Linen-backed lithograph.
56.9 x 43.9 cm.
Lot Number: 283 |
 |
Anonymous.
Greetings From Sydney, Australia. Join The Movement For Nuclear (and Turd) Free Pacific, c. 1980.
Linen-backed colour screen-print.
70 x 50.6 cm.
NB: People for Nuclear Disarmament logo in lower margin.
Lot Number: 285 |
 |
Rick Amor.
Rally, Treasury Gardens, 1975.
Unsigned.
Linen-backed process lithograph.
81.4 x 50.3 cm.
NB: Authenticated by the artist Rick Amor. Held in the Ballarat Fine Art Gallery Collection.
Lot Number: 282 |
 |
Without Authority.
Stop Uranium Mining [The Phantom], 1985.
Studio stamp ‘Without Authority, Kyogle’ in lower margin.
Linen-backed colour screen-print.
58.3 x 45.1 cm.
Lot Number: 280 |
 |
A Chinese Export fisherman pattern blue and white pickle dish.
Circa 1900.
Lot Number: 153 |
 |
Victorian Bark Painting.
Ochre on bark.
53 x 16 cm.
Provenance: Bill Onus Gallery, Upwey, c. 1960.
Lot Number: 230 |
 |
A modern Chinese scroll, depicting maidens on a snow covered ground.
Watercolour on silk.
235 x 95 cm.
Lot Number: 305 |
 |
A Royal Doulton Sam Keller Toby Jug. Together with a Royal Doulton Lambeth milk Jug. Together with a Royal Doulton Winston Churchill Toby Jug. Together with another two similar Toby Jugs.
Lot Number: 151 |
 |
Two Arnhemland hand-woven Dilly bags.
Circa 1960.
Lot Number: 158 |
 |
A Royal Doulton Toby Jug. Together with two Lancaster & Sandland Ltd Toby Jugs. Together with two Shorter & Son Ltd Toby Jugs.
Lot Number: 149 |
 |
A late 19th century Hamadan Persian carpet, with a blue medallion on a red ground.
96 x 142 cm.
Lot Number: 249 |
 |
An early 20th century Kurdish kilim carpet.
117 x 248 cm.
Lot Number: 163 |
 |
A late A 19th century Australian colonial drawing room easel with velvet upholstery, surmounted by arched top and out swept supports with adjustable platform.
Height 158 cm.
Lot Number: 84 |
 |
Two graduated Royal Doulton Old Charlie Toby Jugs. Together with a Royal Doulton Sairey Gamp Toby Jug. Together with another Sairey Gamp Toby Jug.
Lot Number: 156 |
 |
A pair of Regency country mahogany elbow chairs, each with carved splat and out swept arms, on square tapering supports with stretchers.
Lot Number: 110 |
 |
A mid-Victorian honey mahogany ‘D’ end dining table, with two leaves and a turning handle to extend or depress the table size, supported on finely carved legs and original castors.
Width 120 cm. Length 232 cm. Height 74 cm.
Lot Number: 33 |
 |
Klytie Pate OAM.
1912-2010.
Australia.
A glazed ceramic vase of bulbous form, with pale blue drip glaze, with vertical incised fluting.
Signed ‘Klytie Pate’ on base.
Diameter 17 cm. Height 18 cm.
Lot Number: 87 |
 |
Klytie Pate OAM.
1912-2010.
Australia.
An avocado service, with green mottled under glaze on a pale green ground. Comprising 6 matching avocado shaped bowls and one large serving bowl.
Signed ‘Klytie Pate’ on base.
Large bowl:
Diameter 24 cm. Height 8 cm.
Small bowls:
Width 14.5 cm. Height 3 cm.
Lot Number: 32 |
 |
Klytie Pate OAM.
1912-2010.
Australia.
A green glazed deep ceramic bowl.
Signed ‘Klytie Pate’ on base.
Diameter 23 cm. Height 8 cm.
Lot Number: 217 |
 |
A set of ten Regency simulated rosewood dining chairs, each with gadrooned cresting rail, anthemion decorated splat with cane seat and loos cushion on ring turned supports.
Lot Number: 34 |
 |
A late Regency mahogany tilt top breakfast table of rectangular form with satinwood banding, on a reeded bulbous column, on four out swept supports, terminating in brass caps and castors.
Width 101 cm. Length 131 cm. Height 71 cm.
Lot Number: 251 |
 |
Klytie Pate OAM.
1912-2010.
Australia.
A 12 piece ceramic sweet/salad service with green outer glaze and red inner glaze.
All signed ‘Klytie Pate’ on base.
Lot Number: 31 |
 |
Samuel Prout (3).
1783-1852.
Britain.
Jamieson’s Valley.
Lake Illawarra, New South Wales.
The Dandenong Ranges, Victoria.
Signed in plate lower left.
Hand coloured engravings.
15 x 20 cm.
Lot Number: 295 |
 |
Samuel Thomas Gill (2).
1819-1880.
Australia, Britain.
National Model & Training School, Melbourne, c. 1875.
Dight Falls, Yarra Yarra, c1875
Signed in plate lower left.
Engravings (J. Tingle).
18 x 22 cm.
Lot Number: 174 |
 |
Angela Abbott
1940-.
Australia.
French Conversation, Brittany, France.
Signed ‘Angela Abbott’ upper left.
Pen, ink & wash.
11 x 13 cm.
Lot Number: 171 |
 |
Jane Nemec.
Cyclamen, 1981.
Signed, titled, dated and numbered lower margin.
Woodcut Artist Proof.
17.5 x 14.5 cm.
Lot Number: 168 |
 |
Elizabeth Keith.
Pavillion, China, c.1930.
Signed in pencil ‘Elizabeth Keith’ lower right.
Coloured woodblock.
25 x 38 cm.
Lot Number: 224 |
 |
A. F. Lyndon (2).
1836-1917.
Britain.
Young Trout, Salmon Parr, Smelt.
Vendace, Gwyniad, Grayling.
Titled below image.
Colour steel engravings (Benjamin Fawcett).
22 x 30 cm.
Reference: The Rev. W. Houghton, Freshwater Fishes, London, 1879.
Lot Number: 222 |
 |
A. F. Lyndon (2).
1836-1917.
Britain.
Salmon Trout.
Windermere Charr, Cole’s Charr, Gray’s Charr.
Titled below image.
Colour steel engravings (Benjamin Fawcett).
22 x 30 cm.
Reference: The Rev. W. Houghton, Freshwater Fishes, London, 1879.
Lot Number: 221 |
 |
Inglis Sheldon-Williams (2).
1870-1940.
Britain, Canada.
Full Cry, 1881.
Gone Away, 1881.
Titled below image.
Hand coloured engravings (E. G. Hester).
34.5 x 59 cm.
Lot Number: 317 |
 |
A Federation maple square shaped footstool, surmounted by a tapestry top, with moulded edges on small bun feet.
Width 36 cm. Length 36 cm. Height 19 cm.
Lot Number: 81 |
 |
David G. Rankin.
1946-.
Britain, Australia.
Brown Ridge and Dam 2, 1984.
Signed, titled, dated and numbered lower margin.
Coloured screen-print 18/75.
80 x 60 cm.
Lot Number: 327 |
 |
Lindsay Maurice Edward.
1919-.
Australia.
Chasm III, McDonald Ranges, 1985.
Signed & dated ‘Lindsay Edwards, ‘85’ lower right.
Acrylic.
54 x 74 cm.
Lot Number: 325 |
 |
Wendy Stavrianos.
1941-.
Australia.
Silent Shelter, 1991.
Signed & dated ‘Stavrianos, ‘91’ lower right.
Mixed media on paper.
55 x 76 cm.
Lot Number: 292 |
 |
Guy Browning.
Australia.
Luscious.
Signed ‘G. Browning’ lower right.
Charcoal on paper.
41.5 x 29 cm.
Lot Number: 312 |
 |
Dorothy Whitehead.
1900-1995.
Australia.
Camellias.
Signed ‘Dorothy Whitehead’ lower right.
Oil on canvas on board.
48 x 43 cm.
Lot Number: 309 |
 |
Lionel Hornabrooke Jago.
1882-1953.
Australia.
The Rotunda.
Signed ‘Lionel Jago’ lower right.
Watercolour & gouache.
39 x 44.5 cm.
Lot Number: 166 |
 |
Jenni Mitchell.
Australia.
Shoalhaven River Escarpment, Eearie Park.
Signed ‘Jenni Mitchell’ lower left. Inscription verso MF162 Shoalhaven River Escarpment, Eearie Park.
Oil on canvas.
33 x 33 cm.
Lot Number: 311 |
 |
Richard Hollis.
Australia.
Elizabeth Street Tram, 1990.
Signed ‘Hollis ‘90’ lower right.
Gouache.
56 x 76 cm.
Lot Number: 313 |
 |
Cedric Raymond Emanuel.
1906-1995.’
Australia.
Exposed Reef - Sydney Harbour.
Signed, titled and numbered ‘Exposed Reef – Sydney Harbour, Cedric Emanuel’ lower margin.
Etching 24/90.
30 x 45 cm.
Lot Number: 315 |
 |
Melbourne Popular Art Group.
Eureka 1854-1954. A folio of 14 Linocuts, 1954.
1. Ray Wenban, Peter Lalor, Screen-print, 20.3 x 14.8 cm.
2. Noel Counihan, Joe, Joe, The Traps Are Coming, Linocut, 20.2 x 15.2 cm.
3. Pat O’Connor, The Licence Hunt, Linocut, 15 x 20 cm.
4. Noel Counihan, The Magistrate, Linocut, 15 x 20 cm.
5. Noel Counihan, On Bakery Hill, Linocut, 15 x 20.3 cm.
6. Peter Miller, Burn The Licences, Linocut, 20 x 15.8 cm.
7. Ailsa O’Connor, Building The Stockade, Linocut, 20 x 15.8 cm.
8. Len Gale, The Blacksmith, Linocut, 19.1 x 17.2 cm.
9. Ernie McFarlane, The Blacksmith, Linocut, 15 x 20 cm.
10. Peter Miller, The Sly-Grog Seller, Linocut, 20 x 15 cm.
11. Maurice Carter, The Sentry, Linocut, 21.2 x 17.4 cm.
12. Peter Miller, The Pikemen, Linocut, 15 x 20.2 cm.
13. Naomi Shipp, Trampling The Flag, Linocut, 15 x 20 cm.
14. Mary Zuvella, After The Battle, Linocut, 17 x 15.1 cm.
Lot Number: 80 |
 |
Anne Wienholt.
1920-.
Australia.
Norma IV, 1983.
Signed, titled & dated ‘Norma IV, Anne Wienholt ‘83’ lower margin.
Pencil.
48 x 45 cm.
Lot Number: 322 |
 |
Wykeham Perry.
1936-.
Australia.
The Three Sisters, Katoomba, NSW, 1966.
Signed & dated ‘Wykeham Perry ‘66’ lower right.
Oil on canvas.
40 x 49.5 cm.
Lot Number: 314 |
 |
Ethel Carrick-Fox.
1872-1952.
Australia, Britain, France.
Boats By The Harbour.
Numbered & signed ‘Carrick Fox’ lower margin.
Lithograph 6/25.
29 x 36 cm.
Lot Number: 1 |
 |
Sir John Campbell Longstaff.
1862-1941.
Australia, Europe.
Fitzroy Gardens, 1932.
Signed ‘J. Longstaff’ lower right.
Oil on canvas.
40 x 50 cm.
Lot Number: 83 |
 |
Creagh Manning.
1950-.
Australia.
Magpie.
Numbered, titled & signed ‘Magpie, Creagh Manning’ lower margin.
Colour linocut 1/10.
33 x 28 cm.
Lot Number: 320 |
 |
Jill Shalless.
Working 1980s.
Australia.
Red Roses in a Jug, 1987.
Signed & dated ‘Jill Shalless, 1987’ lower right.
Oil on canvas on board.
44 x 35 cm.
Lot Number: 169 |
 |
Neville Henry Pennington Cayley, Senior.
1853-1903.
Australia.
Shot Snipe.
Signed ‘Neville Cayley’ lower right.
Watercolour.
42 x 37 cm.
Lot Number: 104 |
 |
Florence Shirlow.
1903-1987.
Australia.
Arum Lilies.
Titled & signed ‘Arum Lilies, Florence Shirlow’ lower margin.
Monotype.
34 x 46 cm.
Lot Number: 170 |
 |
Nicholas Truscott.
1971-.
Australia.
Barwon Heads.
Signed ‘N. Truscott’ lower right.
Watercolour.
28 x 20 cm.
Lot Number: 306 |
 |
Creagh Manning.
1950-.
Australia.
Evening Walk, 1989.
Signed ‘Creagh Manning’ lower right.
Oil on canvas on board.
31 x 60 cm.
Lot Number: 323 |
 |
Peter Hollow.
In The Park I.
In The Park II.
Signed ‘P. Hollow’ lower right.
Oil on canvas.
12.5 x 23 cm.
Lot Number: 291 |
 |
Richard Hollis.
Australia.
Melbourne W Class Tram.
Signed ‘Hollis’ lower right.
Acrylic on board.
16 x 23 cm.
Lot Number: 294 |
 |
Harley Cameron Griffiths.
1908-1981.
Australia.
Landscape In The Lot, France, 1968.
Signed & dated ‘W.Griffiths ‘68’ lower left.
Oil on board.
24.5 x 29.5 cm.
Lot Number: 210 |
 |
Eric Prentice Anchor Thake.
1904-1982.
Australia.
Cockatoo, Healesville, 1970.
Signed & dated ‘Eric Thake 1970’ lower left. Inscribed ‘Healesville 1970’ top left, ‘Direct drawing’ top right, ‘Healesville’ lower left.
Pencil.
36 x 26.5 cm.
Lot Number: 13 |
 |
Eric Prentice Anchor Thake.
1904-1982.
Australia.
Swan, 1975.
Signed & dated ‘Eric Thake 1975’ lower right.
Pencil.
25 x 28 cm.
Lot Number: 11 |
 |
Eric Prentice Anchor Thake.
1904-1982.
Australia.
Bison, 1963.
Signed & dated ‘Eric Thake 1963’ lower right.
Pencil.
25.5 x 27 cm.
Lot Number: 12 |
 |
Les Kossatz.
1943-.
Australia.
Untitled [Anzac Series], 1966.
Signed & dated ‘Kossatz , ‘66’ lower centre.
Mixed media.
76 x 55 cm.
Lot Number: 226 |
 |
John Hall (Hal) Thorpe.
1874-1947.
Australia, Britain.
Cowslips, 1922.
Signed ‘Hall Thorpe’ lower margin.
Colour woodcut.
16.5 x 15.2 cm.
Lot Number: 136 |
 |
Leslie Vander Sluys.
Major Mitchell Cockatoo and Mallee Gum, 1983.
Signed in plate with monogram lower left. Signed, titled, dated and numbered ‘Major Mitchell Cockatoo and Mallee Gum, Leslie Vander Sluys’ lower margin.
Hand coloured linocut 71/90.
42 x 33 cm.
Lot Number: 324 |
 |
Paul Baxter.
1949-.
Australia.
Japanese Scene.
Numbered & signed in pencil ‘Paul Baxter’ lower margin.
Etching 2/35.
30 x 40 cm.
Lot Number: 172 |
 |
Eric Daglish.
1892-1942.
Britain.
Bird on Branch.
Signed in pencil ‘Eric Daglish’ lower right.
Hand coloured wood engraving.
16.8 x 12 cm
Lot Number: 135 |
 |
Marie Laurencin.
1883-1956.
French.
Jeune Fille A La Guitar.
Signed to plate ‘Marie Laurencin’ lower right.
Hand coloured etching.
20.1 x 17 cm.
Lot Number: 191 |
 |
John Alexander Thomas Shirlow (2).
1869-1936.
Australia.
The Goal, Russell Street, Melbourne, 1901.
J. G. Roberts, 1917.
Signed in pencil ‘John Shirlow’ lower right. Initialled & dated in plate ‘JS 1901’ lower left.
Etching.
17.8 x 11.8 cm.
Lot Number: 41 |
 |
John Alexander Thomas Shirlow.
1869-1936.
Australia.
R.H.Croll, 1917.
Signed & dated in plate ‘Shirlow 1917’ centre left.
Etching.
21.5 x 18 cm.
Lot Number: 37 |
 |
Ethleen Palmer.
1906-1958.
Australia.
Quail.
Signed ‘Ethleen Palmer’ verso.
Screen-print.
8.6 x 10.9 cm.
Lot Number: 42 |
 |
A George III oak chest with moulded edge, brushing slide, below two short and three graduated drawers, supported on bracket feet.
Width 53 cm. Length 105 cm. Height 92 cm.
Lot Number: 45 |
 |
A set of four hand-coloured engravings.
A Trip to Gretna Green, 1837.
Plate I The Elopement.
Plate II The Pursuit.
Plate III The Marriage.
Plate IV The Reconciliation.
Published by J. J. Marks.
16.5 x 17 cm.
Lot Number: 290 |
 |
John Alexander Thomas Shirlow.
1869-1936.
Australia.
The Chinese Quarter, La Trobe Place, 1915.
Editioned & signed in pencil ‘John Shirlow’ lower margin. Signed & dated in plate ‘Shirlow 1915’ lower left.
Etching 3/50.
23 x 8 cm.
Lot Number: 40 |
 |
John Leech.
1817–1864.
Britain.
David Davidledof Has His Measurements Taken, c.1850.
Signed & titled in pencil lower centre.
Pencil drawing.
14 x 12 cm.
Lot Number: 5 |
 |
Pablo Picasso.
1881-1973.
Spain, France.
Couple (Royal), 1968.
Dated in plate ‘23.7.68’ lower centre.
Etching of 247.
10 x 13 cm.
Lot Number: 36 |
 |
Bob Coex’ae.
Man Catching A Duiker.
Editioned, titled and signed ‘Man catching a Duiker, CoXae’ lower margin.
Colour linocut 24/38.
18 x 23 cm.
Lot Number: 138 |
 |
Victor Ernest Cobb.
1876-1945.
Australia.
Selbourne Chambers, 1933.
Titled, signed & dated in plate ‘Selbourne Chambers, Victor Cobb’ lower right.
Etching.
9.5 x 12.7 cm.
Lot Number: 35 |
 |
Victor Ernest Cobb.
1876-1945.
Australia.
Ormond College Entrance, 1931.
Signed & dated in plate ‘Victor Cobb’ lower left.
Engraving.
10 x 6.5 cm.
Lot Number: 137 |
 |
John Alexander Thomas Shirlow.
1869-1936.
Australia.
The Saw Mill.
Numbered & signed in pencil ‘John Shirlow’ lower margin.
Etching 19/40.
18.2 x 12.2 cm.
Lot Number: 38 |
 |
Victor Ernest Cobb.
1876-1945.
Australia.
The Old Mill.
Signed in plate ‘Victor Cobb’ lower right.
Wood engraving.
8.5 x 10 cm.
Lot Number: 3 |
 |
Norman Alfred Williams Lindsay.
1879-1969.
Australia.
The Apex of Life, 1923.
Signed, titled, dated and numbered ‘The Apex of Life Norman Lindsay’ lower margin.
Etching, engraving, stipple & roulette 18/55.
37.8 x 30.1 cm.
Reference: Lin Bloomfield, The Complete Etchings Of Norman Lindsay, Odana Press, Sydney, 1998, p. 251, Pl. 239 (Illustrated).
Lot Number: 26 |
 |
Ian Armstrong.
1923-.
Australia.
The Nurse, 1968.
Numbered, signed & dated in pencil ‘Ian Armstrong’ lower margin.
Aquatint & etching 8/10.
13.8 x 11.2 cm.
Lot Number: 4 |
 |
A L. L. Bean fibre glass featherweight fly fishing rod.
2 piece with aluminium tube.
6 ½ Foot.
Lot Number: 297 |
 |
A ‘The Phantom Hollokonia’ fly fishing rod.
2 piece 6 wt.
Hardy H57810.
Lot Number: 296 |
 |
A Hardy Princess fly fishing reel with 2 Screw U shape line guide, with a Hardy vinyl case. Together with 15 Vince Marinaro size 28 midge hooks. Together with a Kingfisher-Floating 7 ft flyline. Together with 30 yards of Bean’s Floating nylon fly line.
Lot Number: 299 |
 |
A ‘The Triumph’ Palakonia fly fishing rod.
2 piece 6 wt.
Hardy H50058c.
Lot Number: 298 |
 |
A set of 8 fly fishing books, comprised of:
Oliver Kite, Elements Of Nymph Fishing – Theory & Practice, 1966.
R. L. Blackwood, The Quest Of The Trout, Revised Edition, Robertson & Mullens Ltd.
W. C. Stewart, The Practical Angler, Adam & Charles Black, 1961.
Joseph Keen, Fluorescent Flies, 1964.
Alexander Wanless, Fly Fisherman’s Alphabet, Herbert Jenkins Ltd, 1949.
W. C. Stewart, The Practical Angler, W. Earl Hodgson.
W. E. Frost & M. E. Brown, The Trout, 1st Ed., NMN, 1967.
Douglas Stewart, The Seven Rivers, 1st Ed., Angus & Robertson, 1966.
Lot Number: 148 |
 |
A set of 8 fly fishing books, comprised of:
Captain T. L. Edwards & E. Horsfall Turner, The Angler’s Cast, Herbert Jenkins, 1960.
A. R. B. Haldane, The Path By The Water, Thomas Nelson & Sons, 1944.
Eric Taverner, Trout Fishing From All Angles.
Eric Taverner, Anglers’ Fishes, Their Natural History, Seeley Service & Co. Ltd.
Jim Quick, Trout Fishing & Trout Flies, A. S. Barnes & Co., 1957.
Charles Ritz, A Fly Fisher’s Life, Max Reinhardt, London, Reprinted 1965.
Ray Bergman, Trout, Hutchinsons.
Hardy’s Book Of Fishing, Heinemann, London, 1971.
Lot Number: 155 |
 |
A pair of George IV Sheffield plated candlesticks, having a cylindrical flared column, terminating in a domed base.
Height 34 cm.
Lot Number: 118 |
 |
A pair of Woods porcelain side plates, with acanthus moulded decoration.
Circa 1800.
Diameter 20.5 cm
Lot Number: 51 |
 |
A set of 8 fly fishing books, comprised of:
Maurice Wiggin, The Angler’s Bedside Book, 1st Ed., B. T. Batsford Ltd, 1965.
G. E. M. Skues, The Way Of A Trout With A Fly, 4th Ed., Adam & Charles Black, London, 1949.
Brian Clarke, The Pursuit Of Stillwater Trout, Adam & Charles Black, London, 1975.
V. Fox-Strangways, Wandering Fisherman, Arthur Baker, London, 1955.
R. Dickinson, Rising Fish, Whitcombe & Tombs, 1956.
Peter Goadby, Big Fish & Blue Water, Revised Ed., Angus & Robertson, 1971.
T. C. Ivens, Still Water Fly Fishing, Andre Deutsch, 1952.
Sir H. Fysh, Round The Bend In The Stream, Angus & Robertson, 1968.
Lot Number: 154 |
 |
A Hicks, May and Johnson stoneware china gravy tureen on stand, surmounted by a rose ring finial, with domed cover and moulded edge, with painted Imari palette decoration and gilt highlights.
Circa 1830.
Length 22 cm. Height 20 cm.
Lot Number: 73 |
 |
A John Rose Coalport box and cover with moulded and painted decoration, and a rose finial.
Circa 1810.
Lot Number: 96 |
 |
A late 19th century Continental porcelain desk plate, surmounted by an ormolu inkwell, of moulded shell form, with painted flowers.
Length 20 cm.
Lot Number: 164 |
 |
A service of Mason's Ironstone China of pheasant pattern, comprising a vegetable tureen and cover, six entrée dishes, a pair of stands and a pair of pudding bowls.
Circa 1830.
Lot Number: 146 |
 |
A set of ten Waterford crystal hock glasses, each with domed foot hexagonal tapering stem and ovoid bowl with hob nail decoration.
Lot Number: 250 |
 |
A set of ten Waterford crystal red wine glasses, each with domed foot hexagonal tapering stem and bucket bowl with hob nail decoration.
Lot Number: 252 |
 |
A large Satsuma earthenware vase, of ovoid form with flared neck, decorated in colours and gilding, with panels of maidens and figures in a landscape with blossom trees to front and reverse.
Signed Di Nihon Kyoto Awata Satsumayaki Chikusai on a gilt panel on base.
Meiji Period 1868 - 1912.
Height 63 cm.
Lot Number: 86 |
 |
Bill Henson.
Australia.
1955-.
Untitled. [Seddon, Melbourne], 1998.
Signed and dated ‘Henson, 1998’ lower right.
Type C Photograph 3/5.
104 x 155 cm.
Lot Number: 183 |
 |
Two Wedgwood majolica green plates, with leaf decoration.
Together with a Staffordshire majolica green leaf shaped plate.
Circa 1860.
Lot Number: 143 |
 |
A late 19th century Belleek stained lustre ivory 'Prince Alfred' shaped vase, with rose and flower delicate encrusting.
Black Mark.
Height 38 cm.
Lot Number: 78 |
 |
A Sheraton mahogany knife box of serpentine outline, with sloping cover decorated with satinwood inlay, presently enclosing compartments and a pair of George III decanters.
Height 38 cm.
Lot Number: 58 |
 |
George III style late 19th century mahogany supper table, with a circular top supported by a bulbous vase shaped column, terminating in three out-swept supports.
NB: The Coat Of Arms of The Earl Spencer Family appears on the pedestal. The Earl Spencer's are perhaps most notable because of HRH Princess Diana, Princess of Wales.
Lot Number: 177 |
 |
Klytie Pate OAM.
1912-2010.
Australia.
A glazed flared vase with a mottled purple and white ground, with stylised incised decoration of stars and diamonds.
Signed ‘Klytie Pate’ on base.
Diameter 33 cm. Height 22.5 cm.
Lot Number: 321 |
 |
Klytie Pate OAM.
1912-2010.
Australia.
A glazed ceramic lamp base, of ovoid depressed form, with mottled black on a turquoise ground.
Signed ‘Klytie Pate’ on base.
Height 42 cm.
Lot Number: 28 |
 |
Robert Polglaze (3).
Australia.
Abstract 1 Vela.
Tacana.
Trapezium.
Signed lower right
Pastel on paper
56 x 78 cm.
Lot Number: 318 |
 |
Lucy Garnot.
French.
Cluny.
Signed in plate ‘Lucy Garnot’ lower left , titled in plate ‘Cluny’ lower right, signed in pencil ‘Lucy Garnot’ lower left.
Engraving.
38 x 26 cm.
Lot Number: 173 |
 |
A signed Persian hand-knotted carpet.
Circa 1940.
180 x 94 cm.
Lot Number: 201 |
 |
A. F. Lyndon (2).
1836-1917.
Britain.
Black Finned Trout.
Gillaroo Trout.
Titled below image.
Colour steel engravings (Benjamin Fawcett).
22 x 30 cm.
Reference: The Rev. W. Houghton, Freshwater Fishes, London, 1879.
Lot Number: 220 |
 |
A set of four Regency mahogany dining chairs, each with pistol uprights and curved back rail on ringed turned supports.
Lot Number: 253 |
 |
Elizabeth Keith.
Autumn In China.
Signed ‘Elizabeth Keith’ lower right.
Coloured woodblock.
33 x 22 cm.
Lot Number: 225 |
 |
A late 19th century Australian Silver Plated Emu Egg, surmounted by a pineapple finial, and fern decoration, on an oval wooden base, with silver banding.
Height cm.
Lot Number: 202 |
 |
A pair of decorative late 19th century French ormolu two branch candlesticks, with moulded acanthus decoration, on three feet.
Lot Number: 147 |
 |
An early Victorian mahogany dining chairs, with curve back rail, carved splat and drop in seat, on bulbous supports.
Lot Number: 162 |
 |
A Regency gilt wall mirror, the rectangular plate within fluted frame surmounted by cornice and a painted panel.
Height 73 cm. Width 43 cm.
Lot Number: 60 |
 |
A George III fruitwood wine table, of circular form, with birdcage, on cylindrical tapering column and three out-swept supports, terminating in pad feet.
Diameter 60 cm. Height 70 cm.
Lot Number: 203 |
 |
A retail store display cabinet and reception counter.
Lot Number: 301 |
 |
A 19th century English four panelled leather screen, decorated with fleur de lis motifs on a red ground. The top panels depicting the house ducal coat of arms.
Each panel 176 x 46 cm.
Lot Number: 2 |
 |
A George I walnut chest, the rectangular top with moulded edge, over two short and three graduated long drawers, supported on bracket feet
Circa 1720.
Lot Number: 188 |
 |
A George III mahogany bow front chest, with satinwood banding, having two short and three graduated drawers, on bracket feet.
Width 57 cm. Length 110 cm. Height 96 cm.
Lot Number: 186 |
 |
A late 19th century green Majolica jardinière on stand, of bulbous form, with moulded stylized acanthus decoration.
Height 98 cm.
Lot Number: 281 |
 |
A Waterford cut crystal trumpet shaped vase, with cut flower pattern and horizontal fluting decoration, a knop stem, on a star cut base.
Together with a Waterford cut crystal rose bowl shaped vase, with star cut lozenge decoration.
Together with a tall Italian Fidnza glass vase, with raised square decoration.
Height 20, 15 & 24 cm respectively.
Lot Number: 268 |
 |
Kenneth William David Jack.
1924-2006.
Australia.
Bulla, 1959
Titled, editioned, signed & dated "Seven Bridges over the Maribyrnong No.4 Bulla Kenneth Jack' lower margin.
Linocut 7 blocks 20/30.
27 x 37 cm.
NB: Seven Bridges over the Maribyrnong series No.4.
Lot Number: 204 |
 |
A Regency mahogany bergère, with reeded uprights, cane back and sides, with out-swept reeded arms, on ring turned supports, terminating in brass castors.
Lot Number: 48 |
 |
Lot Number: 303 |
| Art Australian | |
 |
Henry James Johnstone.
1835-1907.
Britain, Australia.
Off The Track, 1881.
Signed & dated 'H. J. Johnstone 1881' lower right. Bears artist's name, title and provenance on a mounted plaque lower centre.
Oil on canvas.
84 x 120 cm.
Provenance: Purchased by The Trustees for the National Art Gallery N.S.W. Then purchased by the Geddes family from the National Art Gallery N.S.W in 1946.
Lot Number: 187 |
 |
Janet Agnes Cumbrae-Stewart.
1883-1960.
Australia.
Angelique, 1912.
Signed and dated ‘Cumbrae-Stewart, 1912’ lower right. Original label verso.
Pastel on paper.
42 x 33 cm.
Provenance: Syd Broadway. Original catalogue included.
Lot Number: 85 |
 |
Margaret Benoit.
1941-.
Australia.
Clearing The Table, c.2006.
Signed ‘Benoit’ lower left.
Oil on board.
42 x 37 cm.
Lot Number: 261 |
 |
Reginald Ward Sturgess.
1892-1932.
Australia.
Zinnias, 1929.
Signed and dated ‘R.W. Sturgess, 1929’ lower right.
Watercolour.
28 x 36 cm.
Provenance: Property of Beth Sinclair, daughter of R.W. Sturgess.
Reference: R. W. Sturgess, The Life & Work of R. W. Sturgess, 1938. Pl. 7.
Lot Number: 102 |
 |
John Richard Passmore.
1904-1984.
Australia.
Sussex Landscape, c.1946.
Unsigned.
Oil on canvas.
50 x 67 cm.
Reference: The New McCulloch’s Encyclopaedia of Australian Art, 4th Edition, The Miegunyah Press, Melbourne, 2006, p. 762 (Illustrated).
Lot Number: 255 |
 |
Abram Louis Buvelot.
1814-1888.
Australia, Brazil, Switzerland.
Pastoral Scene, Yarra Flats, 1865.
Signed and dated ‘L. Buvelot, 1865’ lower centre.
Oil on canvas board.
24 x 34 cm.
Lot Number: 43 |
 |
Margaret Hannah Olley.
1923-.
Australia.
Poppies & Checked Cloth, 2008.
Signed, titled and numbered ‘Margaret Olley, Poppies & Checked Cloth’ lower margin.
Coloured etching 54/75.
60 x 73 cm.
Lot Number: 236 |
 |
Charles Blackman.
1928-.
Australia.
Afternoon, c.1978.
Signed, titled and numbered ‘A/P, Afternoon, Charles Blackman’ lower margin.
Etching Artist Proof.
19.5 x 14.5 cm.
Lot Number: 106 |
 |
Charles Blackman.
1928-.
Australia.
Paddington Charades.
Signed, titled and numbered ‘Charles Blackman, Charades’ lower margin.
Colour etching 12/30.
41 x 50 cm.
Lot Number: 6 |
 |
Ray Austin Crooke.
1922-.
Australia.
Tahitian II, 1973.
Signed, titled, dated and numbered ‘Tahitian II, Ray Crooke’ lower margin.
Silkscreen 11/50.
35 x 27 cm.
Lot Number: 14 |
 |
Cecil John Brack.
1920-1999.
Australia.
Nude In A Deck Chair, 1982.
Signed and numbered ‘John Brack’ lower margin.
Lithograph 41/50.
46 x 65 cm.
Verso:
Woman & Screen.
Lithograph.
46 x 32 cm.
Lot Number: 267 |
 |
Jessie Constance Alicia Traill.
1881-1967.
Australia.
Spring – Hyde Park, London, c. 1910.
Signed ‘J. Traill’ verso in pencil.
Watercolour & pencil.
15 x 20 cm.
NB: Original hammered copper frame.
Lot Number: 212 |
 |
Noel Jack Counihan.
1913-1986.
Australia.
Sleep, 1978.
Signed, titled, dated and numbered ‘Sleep, A/P, Counihan’ lower margin.
Linocut Artist Proof.
12 x 35.3 cm.
Reference: Robert Smith, Noel Counihan Prints 1931-1981, A Catalogue Raisonné, Hale & Iremonger, Sydney, 1981, p. 129, Cat. 108IV (Illustrated).
NB: Unique proof – hand printed by the artist on Japanese Mulberry paper.
Lot Number: 269 |
 |
Noel Jack Counihan.
1913-1986.
Australia.
Miner, Jolimont, 1978.
Signed, titled, dated and numbered ‘Miner Jolimont, A/P, Counihan’ lower margin.
Linocut Artist Proof.
29.8 x 15.5 cm.
Reference: Robert Smith, Noel Counihan Prints 1931-1981, A Catalogue Raisonné, Hale & Iremonger, Sydney, 1981, p. 127, Cat. 106IV (Illustrated).
NB: Unique proof – hand printed by the artist on Japanese Mulberry paper.
Lot Number: 21 |
 |
Eric Prentice Anchor Thake.
1904-1982.
Australia.
She’s Warm Alright! 1966.
Titled, signed & dated ‘She’s warm alright! Eric Thake’ lower margin.
Linocut.
18.5 x 14 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 22 |
 |
Eric Prentice Anchor Thake.
1904-1982.
Australia.
The Wrong Horse, 1955.
Titled, signed & dated below image ‘The Wrong Horse, Eric Thake’ lower margin.
Linocut.
14 x 18.5 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 23 |
 |
Eric Prentice Anchor Thake.
1904-1982.
Australia.
Nuns on the Geelong Road, 1969.
Titled, signed & dated ‘Nuns on the Geelong Road, Eric Thake’ lower margin.
Linocut.
14.3 x 20.3 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 25 |
 |
John Henry Olsen.
1928-.
Australia.
Crow & Echidna, 1981.
Signed, titled, dated and numbered ‘Crow & Echidna, John Olsen’ lower margin.
Etching 17/20.
60 x 38 cm.
Lot Number: 55 |
 |
Curzona Frances Louise (Lily) Allport.
1860-1949.
Australia, Britain, Europe.
A Market in France, c. 1928.
Unsigned.
Linocut printed in colour from multiple blocks.
17 x 19.8 cm.
Provenance: Allport Museum, Hobart.
Lot Number: 49 |
 |
John Henry Olsen.
1928-.
Australia.
Girl & Sea Objects, 2002.
Signed, titled, dated and numbered ‘Girl & Sea Objects, John Olsen’ lower margin.
Etching 28/30.
15 x 25 cm.
Lot Number: 193 |
 |
John Henry Olsen
1928-.
Australia.
Octopus, 2004.
Signed, titled, dated and numbered ‘Octopus, John Olsen’ lower margin.
Etching 16/30.
30.5 x 17.5 cm.
Lot Number: 264 |
 |
Vladimir Josif (Yosl) Bergner.
1920-.
Australia.
Salvation Army (Corner Bourke & Russell Sts, Melbourne), 1940.
Signed and dated ‘Y. Bergner ‘40’ lower right.
Pen & ink.
19 x 14 cm.
Lot Number: 239 |
 |
Arthur Merric Bloomfield Boyd.
1920-1999.
Australia, Britain.
Washing Nude With Starry Sky, 1962-63.
Signed and numbered ‘Arthur Boyd’ lower margin.
Etching & aquatint 1/25.
25.1 x 30.2 cm.
NB: Etched in London.
Lot Number: 19 |
 |
Francis Lymburner.
1916-1972.
Australia, Britain.
Untitled [Heretics], 1939.
Signed in pencil ‘Francis Lymburner’ lower left.
Etching.
12.5 x 19 cm.
Lot Number: 140 |
 |
John Henry Olsen
1928-.
Australia.
Dinner, 1981.
Signed, titled, dated and numbered ‘Crow & Echidna, John Olsen’ lower margin.
Etching 15/35.
23 x 14 cm.
Lot Number: 200 |
 |
Eric Prentice Anchor Thake.
1904-1982.
Australia.
The Rock & The Flies, 1952.
Titled, signed & dated ‘The Rock & The Flies, Eric Thake’ lower margin.
Linocut.
21 x 14 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 16 |
 |
Charles Blackman.
1928-.
Australia.
The Daisy Bush, c. 1975.
Signed, titled and numbered ‘A/P, The Daisy Bush, Charles Blackman’ lower margin.
Etching Artist Proof.
16 x 19 cm.
Lot Number: 240 |
 |
Eric Prentice Anchor Thake.
1904-1982.
Australia.
She’s Late Today! 1958.
Titled, signed & dated ‘She’s late today! Eric Thake’ lower centre.
Linocut.
21 x 14 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 15 |
 |
Eric Prentice Anchor Thake.
1904-1982.
Australia.
What a Cow! 1945.
Titled, signed & dated ‘What a Cow! Eric Thake’ lower right.
Linocut.
18 x 14 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 244 |
 |
Eric Prentice Anchor Thake.
1904-1982.
Australia.
Roadside Bunyip, 1973.
Titled, signed & dated ‘Roadside Bunyip, Eric Thake’ lower margin.
Linocut.
22 x 13 cm.
Reference: The Christmas Linocuts of Eric Thake 1941-1975, The Croft Press, Melbourne, 1978, Illustrated.
Lot Number: 24 |
 |
Charles Blackman.
1928-.
Australia.
Tantric Alice, c. 1976.
Signed, titled and numbered ‘Tantric Alice, Blackman’ lower margin.
Etching 49/70.
30 x 30 cm.
Lot Number: 262 |
 |
Clifton Ernest Pugh.
1924-1990.
Australia.
Leda & the Swan II, 1989.
Signed, titled, dated and numbered ‘Leda & The Swan II, Clifton’ lower margin.
Coloured lithograph 2/27.
33.5 x 53.5 cm.
Lot Number: 319 |
 |
Althea Mary (Thea) Proctor.
1879-1966.
Australia.
The Fountain, 1925.
Monogrammed in block ‘TP’ lower left. Titled & signed in pencil ‘The Fountain, Thea Proctor’ lower margin.
Hand-coloured woodcut.
19.3 x 19.5 cm.
Reference: Thea Proctor, The Prints, Resolution Press, Sydney, 1980, p.52. Pl. 15 (Illustrated).
Lot Number: 195 |
| Art European | |
 |
Max Schott.
The Scarlet Lady, 1904.
Signed and dated ‘Max Schott, 1904’ lower right.
Oil on canvas.
66 x 54 cm.
Reference: E.Benezit, Dictionaire Des Peintres Sculpteurs Dessinateurs Et Graveurs, Librairie Gründ, Paris, 1976, Volume 9, p. 433.
Lot Number: 234 |
 |
Kathie Kollwitz
Mother & Child, c. 1910.
Signed with studio stamp ‘Berlin-Halensee’ lower right.
Etching & aquatint.
19.2 x 12.8 cm.
Lot Number: 199 |
| Books | |
 |
Volumes of antique English porcelain reference books, comprised of:
F. A. Barrett, Collection Of Early Worcester, The Frank Lloyd Collection, 1923.
Frank Hurlburt, Old Derby Porcelain.
Llewellyn Jewett, Ceramic Art Of Great Britain.
F. Severne Mackenne, Chelsea Porcelain.
F. Severne Mackenne, Chelsea: The Red Anchor Period.
Being part of the Connoisseurs' Store Library.
Lot Number: 300 |
 |
Volumes of antique furniture and porcelain reference
books, comprised of:
Geoffrey Godden, Caughley& Worcester.
Charles Hayward, Antique Furniture Design.
Charles Hayward, Antique Or Fake.
Andre Sagillo, French Furniture.
Geoffrey Wills, English Furniture.
Together with other volumes.
Being part of the Connoisseurs' Store Library.
Lot Number: 152 |
 |
Volumes of antique reference books, comprised of:
R. Wilson, Hallmarks Of Antique Glass.
Bergstrom, Old Paper Weights.
E. M. Elville, Paper Weights & Other Glass Curiosities.
Ward Lloyd, Collecting Decanters, Investing In Georgian Glass. George Savage, Glass & Glassware.
Tamara Talbot Rice, Russian Icons.
Two volumes on oriental carpets by Herman Haack and Ulrick Schurmann.
Being part of the Connoisseurs' Store Library.
Lot Number: 157 |
| Bronze | |
 |
A 19th century gilt bronze cherub playing the symbols.
Circa 1830.
Height 18 cm.
Lot Number: 75 |
| Carpets | |
 |
A mid-20th century Central Asian Turkoman carpet, with tri-geometric designs.
105 x 198 cm.
Lot Number: 30 |
 |
An early 20th century Central Turkish Kilim carpet with geometric designs.
138 x 351 cm.
Lot Number: 216 |
 |
An early 20th century Kurdish kilim carpet.
154 x 400 cm.
Lot Number: 62 |
| Furniture | |
 |
A George III style Edwardian mahogany china cabinet, with a shaped cornice and satinwood dental decoration, below a pair of astragal glazed doors with glazed sides and mahogany shelves. The lower section with a pair of astragal glazed doors with glazed sides and mahogany shelves, on bracket feet.
Depth 215 cm. Length 125 cm. Height 215 cm.
Lot Number: 99 |
 |
An outstanding Sheraton Revival Edwardian satinwood library centre table, of circular form with a band of arabesque marquetry, the frieze with satinwood and rosewood and cross banding, on square tapering legs, with satinwood stringing.
Maker Daniell, Wigmore St, London.
Height 71 cm. Diameter 91 cm.
Lot Number: 215 |
 |
A George II mahogany bureau, the fall front enclosing an arched door flanked by pigeon holes with a sham well, below four graduated drawers, on bracket feet.
Depth 55 cm. Length 94 cm. Height 106 cm.
Lot Number: 219 |
 |
A William & Mary oak side table, with moulded edge and gadrooned frieze, on bobbin turned supports with stretchers, terminating in bun feet.
Depth 51 cm. Length 71 cm. Height 69 cm.
Lot Number: 29 |
 |
A William & Mary oak chest of drawers, with four graduated drawers, having drop brass handles, supported on bun feet.
Depth 55 cm. Length 98 cm. Height 95 cm.
Lot Number: 88 |
 |
A Regency mahogany tea caddy of sarcophagus form, the hinged top enclosing two hinged compartments and original blending bowl. The mahogany body decorated with figured panels of satinwood and mother of pearl, with turned side handles, on bun feet.
Depth 15.5 cm. Length 30 cm. Height 18 cm.
Lot Number: 185 |
 |
A Regency mahogany chaise longue, having a scrolled end with carved decoration, a scrolled back with bowed end, on turned bulbous supports terminating in brass castors.
Width 83 cm. Length 183 cm. Height 84 cm.
Provenance: Sydney Broadway.
Lot Number: 100 |
| Glass | |
 |
A Remy Lalique perfume flagon and stopper, presently with original perfume contained within. Moulded with raised and chased flower head decoration.
Modelled for D'Orsay, Le Lys perfume.
Modelled in 1922.
Height 25.5 cm (The largest variety modelled).
Lot Number: 76 |
 |
A mid-19th century Bohemian amber flashed glass casket of rectangular form, with green, white and gilt cold-painted decoration, on ormolu stand with paw feet.
Depth 11 cm. Length 31 cm. Height 12.5 cm.
Lot Number: 181 |
 |
A set of six Waterford crystal champagne glasses, each with a domed foot, hexagonal tapering stem and flared bowl with hob nail decoration.
Lot Number: 179 |
| Marble & Alabaster | |
 |
Pierre-Etienne-Daniel Campagne.
1851-1910.
France.
A late 19th century French white marble figure of modelled of Phryne. The figure is naked with drapery wrapped around her arms and back, standing on a square base.
The base is inscribed Campagne (Sculpteur) and with title Phryne incised to front.
Height 86.2 cm.
NB: In classical Greek mythology Phryne was a famous courtesan who was extraordinarily beautiful. Phryne cleverly used her unparalleled beauty as a defence against accusations of profanity in the court of the Areopagus. She unveiled her naked body, by parting her robe, and the judges so mesmerized by her exquisite features acquitted her.
Lot Number: 66 |
 |
A pair of decorative late 19th century white marble covered urns, with bronze and ormolu mounts and ramshead decoration.
Lot Number: 57 |
 |
A pair of Art Deco white marble busts modelled of a young boy and a young girl, the girl wearing a bonnet. Each mounted on a marble base.
Height 16.5 cm.
Lot Number: 150 |
| Photography | |
 |
Olive Cotton.
Teacup Ballet, c. 1935-2002.
Silver gelatin photograph 13/90.
22 x 17.5 cm.
Printed: Roger Scott, Artist Edition.
Ref: Olive Cotton Photographer, National Library of Australia, 1995, Front cover & p.25 (Illustrated).
Exhibited: London Salon of Photography, 1935.
Provenance: Sally McInerney.
Lot Number: 270 |
 |
Wolfgang Georg Sievers AO.
1913-2007.
Australia.
Stages Of Construction Of Multi-Storey Building, Melbourne, c. 1960.
Studio stamp verso.
Silver gelatine vintage photographs.
24.4 x 19.5 cm.
Lot Number: 273 |
 |
Max Dupain.
Lelia Roussova, Ballet Russe, c. 1940-1980.
Signed & dated in pencil ‘Max Dupain ‘40s’ lower right.
Silver gelatin photograph.
50 x 39.6 cm.
Lot Number: 274 |
| Porcelain | |
 |
A Dr. Wall Worcester blue and white tankard, decorated with fence pattern to the front and pagoda pattern to the reverse.
Height 15 cm.
Lot Number: 98 |
 |
A pair of Minton plates, each painted with ferns and foliage within a reticulated jewelled border.
Diameter 21.5 cm.
Lot Number: 127 |
 |
A mid-19th century Belleek 'Egg Shell Tridacna Tea Ware' teapot, with gilt highlights to the domed cover and spout.
Pattern number D356.
Black First Mark (1863 - 1890).
Height 12 cm.
Lot Number: 93 |
 |
A Caughley blue and white cream jug, with vertical moulded decoration and pavilion pattern.
Circa 1780.
Height 15 cm.
Lot Number: 69 |
 |
A Caughley Salopian ware blue and white cream jug, of baluster form with moulded gilt handle.
Circa 1780.
Height 10 cm.
Lot Number: 70 |
 |
A Davenport sugar tureen and cover, decorated with bat-printing.
Circa 1810.
Height 12 cm.
Lot Number: 385,92 |
 |
A Bow hexagonal plate, decorated with cartouches of Japanese scenes, on a blue ground.
Circa 1760.
Diameter 18 cm.
Lot Number: 95 |
 |
An English Delft Bristol blue and white charger, with a painted pastoral scene to the centre.
Circa 1770.
Diameter 28 cm.
Lot Number: 124 |
 |
A William Duesbury & Co Derby figure modelled of a shepherdess, with a lamb, on a rococo base.
Circa 1760.
Height 18 cm.
Lot Number: 351,90 |
 |
A Newhall cream jug of baluster form, with moulded decoration, and gilt highlights.
Pattern Number: N248.
Circa 1790.
Height 13.5 cm.
Lot Number: 72 |
 |
A Derby Samson figure surrounded with brocage, and painted with flowers, supported on a rococo base.
Circa 1770.
Height 19 cm.
Lot Number: 126 |
 |
A pair of William Duesbury & Co Derby plates with moulded border and bands of gilt and blue.
Circa 1790.
Diameter 22 cm.
Lot Number: 122 |
 |
A Chelsea Derby oval bowl, with cartouches and gilt highlighting.
Circa 1780.
Length 22 cm.
Lot Number: 355,144 |
 |
A Daniel painted vase, with cartouches of flowers to front and reverse, with moulded handles.
Height 23 cm.
Lot Number: 94 |
 |
A Bow figure modelled of a scantily clad cherub, carrying a basket of flowers, supported on a rococo base.
Circa 1750.
Height 14 cm.
Lot Number: 121 |
 |
A Chelsea Blanc de Chine moulded leaf shaped plate.
Circa 1760.
Length 23 cm.
Lot Number: 97 |
 |
A Dr. Wall Worcester saucer, painted with cartouches of flowers and butterflies, on a scale blue background.
Circa 1780.
Diameter 18 cm.
Lot Number: 120 |
 |
A Worcester Davis Flight teacup and saucer, decorated with the Royal Lily pattern.
Circa 1790.
Together with a Duesbury Derby coffee can with burnt orange and gilt banding.
Lot Number: 52 |
 |
A large Meissen serving plate, with moulded basket border and painted with sprigs of flowers.
Circa 1770.
Diameter 33.5 cm.
Lot Number: 50 |
 |
A pair of Wood figures modelled as bookends, of the Widow and Elijah each on square base with four feet and brocage.
Height 30 cm.
Lot Number: 53 |
 |
A Royal Doulton yellow vase of ovoid form, hand-painted with a jolly Monk.
Signed Harry Tittensor.
Height 18 cm.
Lot Number: 125 |
 |
A Wedgwood ruby lustre vase of baluster form with flared neck, painted with Oriental dragons chasing the flaming pearl against a ruby lustre ground. The interior painted with mother of pearl lustre and butterflies, with gilt highlighting.
Shape number 2034. Pattern number Z4827.
Height 21.5 cm.
Lot Number: 77 |
 |
A 19th century parian figure modelled of woman, clutching a flower close to her chest, on a moulded hexagonal base.
Height 35 cm.
Lot Number: 218 |
 |
A Royal Doulton vase of ovoid form with painted continuous landscape of Chepstow Castle.
Painted and signed by John Hugh Plant lower right.
Shape number 1032.
Height 18 cm.
Lot Number: 123 |
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An 18th century octagonal Imari charger with moulded edge, painted with bright orange and blue foliate decoration and decoration to reverse.
Width 37.5 cm.
Lot Number: 54 |
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A 19th century Copeland's Porcelain Statuary parian figure modelled of a cherub on a circular base.
Height 19 cm.
Lot Number: 74 |
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A Victorian Minton plate, with a moulded gilt edge, and a decorative green enamel ribbon and gilt flower border, painted with a cartouche of a typical English farmyard scene surrounded by a gilt jewelled border.
Registration Mark verso: 22 September 1868, Bundle 13, Class IV.
Diameter 23 cm.
Lot Number: 91 |
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An Art Nouveau Delphin Massier lustre glazed earthenware vase, of baluster form, decorated with continuous band of trees.
Circa 1900.
Signed on the underside Delphin Massier / Vallauris (AM).
Height 19.5 cm.
Lot Number: 89 |
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A pair of Royal Doulton cylindrical vases commemorating 'Australian Federation 1901.' Including depictions of the father of federation Sir Henry Parkes, The Duke and Duchess of York and The Duke and Duchess of Cornwall.
Height 12.5 cm.
Lot Number: 131 |
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Two Samuel Alcock trios, each of Adelaide shape, one grey with gilt banding, the other with magenta and gilt decoration.
Circa 1840.
Lot Number: 350,145 |
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A mid-19th century C. J. Mason's Ironstone plate, with a grey and bright orange border, painted with flowers and foliage on a mossy ground.
Circa 1840.
Length 31.5 cm. Width 23.5 cm.
Lot Number: 44 |
| Silver & Plate | |
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A Victorian 'Staniforth's Patent' silver plated three bottle tantalus set, with unique locking mechanism and original key, engraved with scrolling foliate and chased decoration, fitted with three crystal cut hobnail and lozenge decorated square decanters and stoppers, on a rectangular base, on bun feet.
Maker: Fenton Brothers, Sheffield.
Circa 1870.
Width 17 cm. Length 41 cm. Height 38 cm.
Lot Number: 160 |
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A George III sterling silver helmet shaped teapot, with gadrooned rectangular knop finial, hinged domed cover and gadrooned edge. The body with reeded decoration, swan-neck spout, and a fruitwood handle, on four ball feet. Maker Samuel Hennell. London 1810.
Height 16 cm.
Lot Number: 71 |
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A pair of 19th century Sheffield plate wine coolers, each of campagna shape, with scroll handles and a shell and gadrooned border.
Height 26 cm. Diameter 25 cm.
Lot Number: 176 |